Also known aspaintingphototasveerpicture
N4, E3 and W4 are the Mahalakshmi doors through which Lakshmi enters; a house with all three open sees a heavy flow of money and many sources of income.
Photo of the guru
N4 (Bhallat), E3 and W4 (Pushpdant) on the outer walls
Do not build a temple in the kitchen; keep a small Mangal kalash at the agneya kon with a small photo of your Guru or ishta, and draw a swastik in front of your eyes so the food cooked becomes like amrit.
Small photo of your Guru or ishta devta
Kitchen: kalash and photo at the SE; swastik at eye level in front of the cook
A swan statue or painting in the NNW of the bedroom and rose or pink rose wallpaper on the South wall strengthen Venus and romance between the couple.
Swan statue or painting
Bedroom: swan in the NNW; wallpaper on the South wall
A painting of Om forms placed on the eight petals of a lotus (four directions and four vidishas), with the ancient Om at the top; it distributes the energy of Om in all eight directions.
Ashtadal Om painting on glass, MDF, carved wood or canvas (oil or water-based paint)
Temples, home puja room, children's study area
A message painting designed by the teacher: a kalash is established in the ishaan corner, the sun rises behind it, the lotus blooms and energy spreads, raising positive energy in the whole house. It is painted on a glass partition between North and East, or on cloth.
Partition between North and East
A glass painting with a dotted board carrying a mantra (Navkar for Jains, Gayatri for Vaishnavs), tablas whose sound strikes the mantra and spreads it through the room, an ashtadhatu bell ringing above, and the symbol of the three lok with a blooming lotus.
Glass painting with a dotted board
The elephant is the vehicle of Indra, lord of the East. Between the East and the North-East lies a 45-degree span with several pads, among them a debt door and a door that makes one rich, and every 11.25 degrees the chemistry and circumstances change, so the exact pad matters.
A picture of the Sun goes only in the East. Make sure it really is the Sun: a Sun-like figure with a moustache is Shani Dev, and in one prominent family his images on both gates facing the house were followed by incurable illness in member after member.
Correct it with a painting, door power, door decoration (door sajja) or a door bandhan hung outside. Where the door has one shutter, keep a bandhanwar always hung on it and the dosh is not counted.
A devta does not own one wall; it is an 11.25-degree sector. Shikhi and Parjanya face East, so put the picture within that sector, facing East; when a student asked, West-facing was also accepted.
Especially people whose wishes are not coming true or whose production is not happening. A shining white gandharva nagar picture at Parjanya fulfils wishes like a kalpavriksha, completes stuck work, brings back stuck money, helps sell a property that is not selling, builds market image and gets goods and machine production moving.
All of them, photos of ancestors, gods and family and statues of deities, will be taught in detail later, including where each goes and which way it should face. Even the wider world is confused about which way ancestors' photos should face.
Yes. Family photos can go in the SSE with the faces in the photo turned toward North, and a Hanuman ji picture can also go there, facing South.
No. Put up a picture of your own isht (chosen deity) or of the guru you follow.
No. Ancestors' photos should not be put inside the bedroom, even when the bedroom is in the South-West.
Yes, they also represent a planet and should be placed correctly. A consecrated God's photo should face North or East, or West if that is not possible, but never South; South-facing is for the photos of ancestors who have left this world.
Anywhere except the South and SSW zones, on a wall where everyone's face looks North, that is, on the South wall. The living face the direction of life; only the departed are made to face Yama in the South.
Vedic vastu says the defects of a wrongly placed door can be removed through the decoration of the door itself: auspicious symbols, yantras, paintings and artworks made on the door, door power at the threshold, and a bandhanwar (toran) hung on it. This class therefore treats wrong doors with symbols, torans, bandhanwars and colours rather than structural changes.