Also known asplot selectionbhoomi chayanchoosing land
What happens on the way to see a plot and at the moment of stepping onto it is itself a test of the land. Injuries, sneezing, frightening encounters, breakdowns and accidents are read as signs, along with what one meets on the way, such as a full kalash, a dog or a pig.
Certain mangalik (auspicious) sights on the way to a property show that the plot or flat is very auspicious and will keep filling life with happiness.
The threshold (dehleez) of the home acts as a testing machine: the moment you step over it to go and see a plot, flat or factory, your breath and body signal whether that property is good. Equal flow in both nostrils or left-side body signs warn against it; earth or water element in the breath and right-side signs approve it.
Threshold (dehleez) of your own home
The behaviour of street dogs, jackals and crows at a plot or flat reveals its quality: a crow cawing while facing East or North is a good sign, while crying dogs and a crow on a dry tree are grave warnings.
Twitching of an eye on reaching a land shows its quality, read in opposite ways for men and women: the right eye is auspicious for a man and the left eye for a woman.
Shakun shastra (nimitta gyan) reads the signs met on the way to a property; certain sights and events on the journey warn that the plot or flat is not good. They arise because the land's energy is already acting on the visitor's body chemistry.
A chart cast for the moment someone asks about buying a plot, flat or land shows whether it is good: a fixed lagna, benefics in the kendras and a strong 4th house favour it, while malefics in the kendras warn against it.
When someone asks whether to buy a land, flat or house, the side on which they stand relative to the expert's active nostril and the manner in which they ask reveal whether the land is good. A trained swar expert can read the land this way even from far away.
What one first sees and hears on stepping onto a land or into a flat indicates its energy: black items, broken things, snake holes and harsh sounds are bad signs, while a conch, aarti or auspicious songs, a rainbow or a joyful sky are good ones.
Clothes that tear, get a hole, or get soiled with mud, dung or dirty water on the way to or at a land signal that the land is not good; the position of a tear shows how bad it is.
Signs met while leaving home to see a land or building, such as body reactions, itching, dreams and sights on the road, foretell the energy and future of that property before you even reach it.
If your building is 16 feet high, a northern building up to 1 to 2 feet taller is acceptable, but one 4 to 5 feet or more taller, such as 20 feet, causes much harm. Distance removes the effect: a taller building or raised hill standing at least double your building's height away has no effect, so a 70-foot building is not affected by a building of double height 150 feet away.
From the deity. Imagine the deity seated facing out: do not live on the deity's own left side, while the deity's right side is very good. On either side your wall must not touch the temple wall; if you leave a gap and build your own separate wall there is no negative effect, though the right side still gives the better results. Many people living on the left, touching the temple wall, have been ruined.
No. With a road in between there is no defect.
It is bad. Where metallic minerals, and especially black ones such as coal, are plentiful, negative forces settle: mineral-rich Bihar and Jharkhand and diamond-bearing Panna district are not prosperous, because few people can bear such strong energy, just as a 400 carat neelam or 20 paracetamol harms instead of helping. Minerals at the surface act on the house directly, while metals bound with silicates or lying deep underground, as at the Kolar Gold Fields, are not as harmful.
There is no criterion for finding the centre; the centre is always the centre. The proportion matters for the plot itself: up to 1:1.5 is good (30 x 45 feet is ideal), up to 1:2 (30 x 60) is neither good nor bad, and longer than that is not good, with more loss the longer it gets. In such long plots many devtas fall outside or get cut, and they need treatment.
An L-shaped plot is inauspicious in the first place. There is no special formula for its ratio; estimate it from its arms. The cut portion is a full loss, and how harmful it is depends on which corner is cut, which is best judged with the teacher case by case.