Love Birds in the South-West for Husband-Wife Harmony
Love birds, as a metal artefact or a painting, placed in the South-West improve love life; use them where husband and wife have differences.
Love birds artefact (metal) or painting
South-West
Also known aspaintingphototasveerpicture
Love birds, as a metal artefact or a painting, placed in the South-West improve love life; use them where husband and wife have differences.
Love birds artefact (metal) or painting
South-West
When the North and East are raised and the South and West cannot be made higher, a picture of a mountain peak such as Everest in the low-lying South or West zone changes the mind through the image and brings opportunities.
Low-lying zone among South, SSW, SW, WSW and West
Red horses represent the fire element and the Sun (Surya nadi), so they are placed in the South in an odd number (1, 3, 5, 7 and so on) for fame and recognition.
Picture or idol of red horses, odd number
South, horses facing North or East
For the last house of a colony at a dead end, a painting on the end boundary wall showing the road continuing with houses on both sides opens the path; the image changes the mind and stuck work moves.
Wall paint for a road-continuation painting
Dead-end boundary wall facing the road; closed North or East walls
A moon painting represents the Moon, whose location is the North-West, and gives peace and happiness; use an original photograph of the Sharad Purnima moon.
Original photograph of the Sharad Purnima full moon
North-West
White horses represent the Moon and the water element; they are placed in the North-West, always in an even number such as two, because the Chandra swar takes even counts. They sort out financial problems.
Picture or idol of white horses, even number (2, 4, 6)
North-West, horses facing North or East
N4, E3 and W4 are the Mahalakshmi doors through which Lakshmi enters; a house with all three open sees a heavy flow of money and many sources of income.
Photo of the guru
N4 (Bhallat), E3 and W4 (Pushpdant) on the outer walls
Do not build a temple in the kitchen; keep a small Mangal kalash at the agneya kon with a small photo of your Guru or ishta, and draw a swastik in front of your eyes so the food cooked becomes like amrit.
Small photo of your Guru or ishta devta
Kitchen: kalash and photo at the SE; swastik at eye level in front of the cook
A swan statue or painting in the NNW of the bedroom and rose or pink rose wallpaper on the South wall strengthen Venus and romance between the couple.
Swan statue or painting
Bedroom: swan in the NNW; wallpaper on the South wall
A painting of Om forms placed on the eight petals of a lotus (four directions and four vidishas), with the ancient Om at the top; it distributes the energy of Om in all eight directions.
Ashtadal Om painting on glass, MDF, carved wood or canvas (oil or water-based paint)
Temples, home puja room, children's study area
A message painting designed by the teacher: a kalash is established in the ishaan corner, the sun rises behind it, the lotus blooms and energy spreads, raising positive energy in the whole house. It is painted on a glass partition between North and East, or on cloth.
Partition between North and East
A glass painting with a dotted board carrying a mantra (Navkar for Jains, Gayatri for Vaishnavs), tablas whose sound strikes the mantra and spreads it through the room, an ashtadhatu bell ringing above, and the symbol of the three lok with a blooming lotus.
Glass painting with a dotted board
Parjanya, the cloud and rain devta (megh, badal) at E2 next to Shikhi, brings rain, productivity and fertility and fulfils plans and wishes like a kalpavriksha. It is the doctor of crops, people and animals.
Picture of white gandharva nagar clouds
E2 pad, 50.625 to 61.875 degrees from North, outer pishach bhoomi (North-East into East-North-East)
Shikhi, also called Shiva, is the first outer devta of the pishach bhoomi, at E1 near the North-East corner. A mahayogi and a highly sensitive maha-dowser, its pad reacts at once to anything done there; it governs vision, foresight and decisions.
Photo of a guru or yogi, or a scripture
E1 pad, 39.375 to 50.625 degrees from North, outer pishach bhoomi at the North-East corner
Bhrisha, the seventh devta of the East, is weighty and powerful with its own gravity; balanced, it awakens the nerves of the brain and raises thinking power, observation and one-pointed concentration, like a bird gazing fixedly at one point. Imbalanced, the mind gets confused, the nature turns dominating and kidney problems appear.
Parrot painting
Pad E7 of the East side, 106.875 to 118.125 degrees (East-South-East zone)
The East is ruled by Indra, its planet is the Sun, its gem is ruby (manik), its symbol is the vajra and its vehicle the Airavat elephant; in the Vastu Purush it is the mouth. A strong East brings production, talent, children's progress, health and immunity.
Picture of the Airavat (many-trunked) elephant, optional
East zone
The North-East is ruled by Isha, its planet is Jupiter (Guru), the greatest of the planets, its gem is yellow sapphire (pukhraj), its symbol is the kalash and its vehicle the horse; in the Vastu Purush it is the head and brain. It gives true knowledge, prosperity and peace.
Picture of running white horses
North-East (Ishaan) zone
Pictures of the Sun, including the popular Sun with running horses, belong only in the East. A Sun-like figure with a moustache is Shani Dev, and installing his image on gates facing the house brought incurable illness to one family member after another.
Picture of the Sun
East wall or zone
Every direction and every artifact represents an element, so an artifact, picture or scenery should sit with its friend element. Placed beside an enemy element it causes unrest at home and losses in business.
Any home, factory, shop or office where artifacts, pictures or sceneries are placed
E4 suits an administration chamber, office, main door, drawing room, study and bedroom and gives both wealth and peace; a toilet here brings defamation, loss of wealth and disease.
E4 (Mahendra) pad
Paintings, carvings, idols, elevations and domes are made to change the mind (chitt) through images (chitra); temple interiors and exteriors were designed to balance elements, planets and forces and even to influence the devtas.
Interior walls, elevations and exteriors
Every trade belongs to a planet; using that planet's colour, shape, artefacts, paintings, metals, mirrors and glass at the business multiplies its energy, while a clashing colour can shut it down.
Shops, offices, factories and petrol pumps
Before any interior, fix the goal of the space, study the owner's kundali, check the current (energy) flow and base every arrangement, colour and artifact on planet combinations. Harmful yogas of the kundali must never be recreated with artifacts, while good yogas should be built.
Portraits, photos, showpieces and artifacts chosen by planet
Whole interior of a home, shop or factory
Interior vastu is emotion and action controlled by the interior: what the eye sees daily at home changes the mind. Pictures of God and loving family scenes bring good thoughts, while vulgar, violent or sorrowful images change emotions at once.
Pictures of God
Living areas and rooms of the house
Family photos at home should show the whole family complete from head to feet, with no hand or foot cut, and statues or idols should show the full body. Close-up face photos and cut or bust figures bring trouble.
Full-length photo of the whole family, laughing together
Family photos, statues and idols anywhere in the house
In SSE the Sun's fire moves toward its old stage and fills the place with power, confidence and energy. Everything allowed in the SE is allowed here, but no pits may be dug from this zone onward.
South-South-East zone of the house
Never hang photos or paintings in which hands, feet or heads are cut off. Hang family photos with smiling faces on the South wall, with the faces looking towards the North.
Family photograph or portrait showing complete bodies
South wall; all photo frames with faces towards North
A picture changes the mind, so a painting can create a dosh. A painting of a tree, mountain, river, road or pillar facing the main door acts as a dwar vedh, water scenes do not belong on South, West or SW walls, and mountain scenes do not belong on the North wall.
Paintings
Walls facing the main door; South, West, SW and North walls
Interior work is done to change the mind, because everything follows from the mind. Pictures, colours and objects (chitra) change the state of mind (chitt), so the goal the mind should be led to must be fixed first.
Every room and zone of a home or workplace
Hang a sphatik (crystal) chandelier over the dining table, keep light colours, greenery and flowers, a good table and chairs, and a picture of God in the dining room.
Pictures of greenery, flowers and bouquets (artificial is fine)
Dining room
The elephant is the vehicle of Indra, lord of the East. Between the East and the North-East lies a 45-degree span with several pads, among them a debt door and a door that makes one rich, and every 11.25 degrees the chemistry and circumstances change, so the exact pad matters.
A picture of the Sun goes only in the East. Make sure it really is the Sun: a Sun-like figure with a moustache is Shani Dev, and in one prominent family his images on both gates facing the house were followed by incurable illness in member after member.
Correct it with a painting, door power, door decoration (door sajja) or a door bandhan hung outside. Where the door has one shutter, keep a bandhanwar always hung on it and the dosh is not counted.
A devta does not own one wall; it is an 11.25-degree sector. Shikhi and Parjanya face East, so put the picture within that sector, facing East; when a student asked, West-facing was also accepted.
Especially people whose wishes are not coming true or whose production is not happening. A shining white gandharva nagar picture at Parjanya fulfils wishes like a kalpavriksha, completes stuck work, brings back stuck money, helps sell a property that is not selling, builds market image and gets goods and machine production moving.
All of them, photos of ancestors, gods and family and statues of deities, will be taught in detail later, including where each goes and which way it should face. Even the wider world is confused about which way ancestors' photos should face.
Yes. Family photos can go in the SSE with the faces in the photo turned toward North, and a Hanuman ji picture can also go there, facing South.
No. Put up a picture of your own isht (chosen deity) or of the guru you follow.
No. Ancestors' photos should not be put inside the bedroom, even when the bedroom is in the South-West.
Yes, they also represent a planet and should be placed correctly. A consecrated God's photo should face North or East, or West if that is not possible, but never South; South-facing is for the photos of ancestors who have left this world.
Anywhere except the South and SSW zones, on a wall where everyone's face looks North, that is, on the South wall. The living face the direction of life; only the departed are made to face Yama in the South.
Vedic vastu says the defects of a wrongly placed door can be removed through the decoration of the door itself: auspicious symbols, yantras, paintings and artworks made on the door, door power at the threshold, and a bandhanwar (toran) hung on it. This class therefore treats wrong doors with symbols, torans, bandhanwars and colours rather than structural changes.